To develop my understanding of international art biennials vis-à-vis metropolitan museums, I follow lines of reasoning that explore defining dimensions of the phenomena broadly falling into the category of the institutional, social, and cultural underpinnings of international art exhibitions.
About Me
Blog Archive
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2007
(21)
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November
(12)
- Analysis of Munch's (1991) American and European S...
- Analysis of Kemple's (2007) Spririts of Late Capit...
- Analysis of Gieryn's (2000) A Space for Place in S...
- Analysis of Amin's (2002) Spatialities of Globalis...
- Analysis of Burawoy's (1998) Critical Sociology: A...
- Analysis of Walby's (2007) On the Social Relations...
- Analysis of Wright's (2003) Institutional Ethnogra...
- Analysis of Colomy and Rhoades' (1994) Toward a Mi...
- Analysis of Gartman's (1998) Postmodernism or the ...
- Analysis of Rennie Short, Breitbach, Buckman, and ...
- Analysis of Blim's (2000) Capitalisms in Late Mode...
- Analysis of George Marcus' (1995) Ethnography in/o...
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November
(12)
Translation
Links
- openDemocracy: free thinking for the world
- Cultural Policy: Center for Arts and Culture
- Arts Journal: Daily Arts News
- Arts and Letters Daily News
- Space and Culture Blog
- Fast Capitalism: Journal on Impact of Information, Technology, and Communication
- European Journal of Higher Arts Education
- ephemera: theory & politics in organization
- Coagula Contemporary Art Magazine
- Frieze Magazine: Europe's Contemporary Art and Culture
- Museum and Society Magazine
- London Review of Books
- The New York Review of Books
- Eurozine: European cultural journals network
- Sign and Sight: Arts, Essays, Ideas from Germany
- Der Spiegel Magazine: International Edition